For the documentary Droomvergunning I played the darabuka and santoor. Composer Lotte Sterk asked me to join the team of great musicians to do one gig to promote the documentary and the music in the documentary itself. With a middle-eastern feel combined with Dutch Hiphop we play the transitioning and background Droomvergunning. Droomvergunning tells the tale of the rough life of a young boy that is an asylum seeker from Afghanistan.
Got a call from Jacob Lekkerkerker who was in need of a percussionist to climb the bell-tower of the Church in Zuurdijk and play the bell (weighing a whopping 669 kilo’s) for his 24 hour lasting concert. So a few weeks later there I was, musically conversing with electronic artist and guitarist Alfredo Genovesi. Filling the air in the church and it’s near vicinity with some very nice soundscapes with a total of 11.5 hours spent in the tower… -what an experience! Very surreal and dreamy. There’s was nice article about the happening in the local (and therefor Dutch) paper.
Since early 2014 I’ve been playing together with the band Parne Gadje. A group of skilled virtuosos with a passion for music. With influences from balkan, middle east, and hints of punk here and there now the band can also put organic electronics to that list. Using audio recorded on the streets, in nature, around the house, or synthesised digitally in whatever way possible, I feed the ears of the audience an additional layer of sound to the story the the band is already telling. I program every digital instrument to play with live. Every now and then I also just grab an acoustic instrument to play with. Varying from qarquabou, to santoor, from jawharp to doumbeck. Otherwise the usual sounds of mercedes 508 engines, throatsinging, falling gravel, crashing metal trash or granular synthesis of breaking wine glasses are performed with. An awesome blend. For me it’s the first group to perform with using a laptop and some form of digital controlling and I’m loving it.
The singer Songwriter duo Jyoti Verhoeff invited me and Fieke van den Hurk to join them in the half finale of “De Grote Prijs van Nederland” competition in Het Patronaat in Haarlem. We’re currently awaiting for the judges result. We’re currently occupying the 2nd place of the online voting part of the competition!
“Let the painting speak for itself”
Making music with a painting as a score.
Scrolling through some musical material in Jackson Pollock’s painting: Summertime.
Max/MSP’s Jitter scans the colors in the painting and makes several instruments play.
One of the two reverbs used is actually not the reverb of an acoustic room, in fact it’s the reverb from an string-instrument called Santoor. it gives a beautiful long, tonal reverb.